Thursday, March 20, 2014

Photographic Finding Aids: Smithsonian

            Digital finding aids provide the user with just enough information to attract their attention, but the showpiece of information for the items does not always aid the user in actual viewing or touching the items. Also, it can be said that finding aids are a tough medium to engage with as they vary and can run long or short, depending. Engagement with the medium in some cases is complicated and ineffectual. However, the record does attempt to provide information in a concise and helpful manner. Looking at two finding aids from the Smithsonian's photography collection in addition to engaging with archival academic writing on the finding aid, I will evaluate it in its current form.
            Using the finding aids from the Harriman Alaska Expedition Collection, 1899-1900 and Leon J. Cole Photograph Collection, 1941, one begins to see the problems inherent in the finding aid.  The Harriman Alaska Expedition, for example, provides a very limited summary of the collection - one sentence - and instead spends time listing the various names connected with the project. The names have importance and value, but the expedition appears more valued by the content of the finding aid due to the people present and the event's purpose. Finding aids are meant to attract users to the collection, so this particular spin is not uncommon. However, the images themselves are not described or explained. Particularly, the various places that they team visited. I found this finding aid by a subject search of images on the Smithsonian's website, using the word "Idaho". Nowhere in this finding aid does it mention that state. In fact, if one were to read this finding aid, based on the title and container list summary, which mentions the now politically incorrect word "Eskimos," the user interested in the west at large would never consider this collection helpful. The creator this finding aid saw value in mentioning the figures associated with this expedition, the purpose of said expedition and Alaska, which is great for those interested in these topics, but what about those researchers interested in images of the west from this time period who would overlook this collection based on the finding aid? The finding aid then limits the proposed audience for this collection.
            To make matters worse, Leon J. Cole and his photographic collection is similar in that it also has a very direct focus, which is Leon J. Cole himself. The finding aid spends a lot or more accurately twice provides the biography of Cole. The photo album that is the actual collection is almost secondary to the creator of it. The finding aid does mention twice that the material found in the album is from Alaska in 1941. However, when the user gets to the container list for Cole, which in the Harriman Expedition listed at length the materials found with a short narrative about them, there is only a two-word detail of "Photograph Album"(Smithsonian "Leon J. Cole Photographic Collection, 1941"). The images themselves are not highlighted or made important on the finding aid. There are just valued due to their connection to Cole. The collection is about a photo album, but the contains of the photos are nowhere discussed in detail.
            The lack of comprehensive finding aids limits a users interaction with the material. Michelle Light and Tom Hyry in their article, "Colophons and Annotations: New Directions for the Finding Aid" claim that one of two major problems with the finding aid is, "although all archivists are taught that we must strive to be as objective as possible when processing, finding aids present but one viewpoint on a collection" (217). They personalize the process of putting together a collection, claiming that every individual will make different decisions (Light and Hyry 217). Based on the examples previously discussed, I completely agree. If I were to process the Harriman Alaska Expedition Collection, 1899-1900 or Leon J. Cole Photograph Collection, 1941 collections, I would make sure to mention more specifically the details of the images, while also emphasizing the importance of the creators or the expedition. In order to combat this problem, the authors suggest annotations to finding aids, so users can alert others to the value they see in a collection (Light and Hyry 226). For example, I would add a note to the Harriman Expedition as regards the other states covered in the images, in order to fight the perception presented in the finding aid currently.
            While allowing archivists their individuality, the finding aid does then limit the manner in which users engage with it to those that are seeking what is listed and nothing beyond it. While some users might do what I did to find the collections, not all will, and if the finding aid is the only access point available, then some users might not be able to use the contains to their advantage - a major flaw in the fundamental idea of finding aids.

Bibliography:

Light, Michelle, and Tom Hyry. "Colophons and Annotations: New Directions for the Finding Aid." The American Archivist 65 (2002): 216-230. Print.

Smithsonian Institution Archives, Record Unit 7244, Cole, Leon J, 1877-1948, Leon J. Cole Photograph Collection

Smithsonian Institution Archives, Record Unit 7243, Harriman Alaska Expeditions (1899), Harriman Alaska Expedition Collection

URLs to the finding aids used:

http://siarchives.si.edu/collections/siris_arc_217400?back=%2Fsearch%2Fsia_search_findingaids%2FHarriman%2520Alaska%2520Expedition

http://siarchives.si.edu/collections/siris_arc_217401?back=%2Fsearch%2Fsia_search_findingaids%2FHarriman%2520Alaska%2520Expedition


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